Showing posts with label Oliver Stone. Show all posts
Showing posts with label Oliver Stone. Show all posts

Saturday, August 14, 2010

Knock Knock. Hugo's there?

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Remember when Hugo Chavez wrinkled his nose from the podium of the United Nations General Assembly and claimed to detect a whiff of sulphur in the room? A sign of the recent presence of the imperial devil in the form of George Shrub (Bush Jr.)?

Three-quarters of the assembly giggled loudly, as was intended. They recognized the Michael Moore or Jon Stewart style of irony. The entire American delegation walked out, however, in what was obviously a rehearsed and planned move. They then launched a ferocious campaign depicting Chavez as some sort of unstable whacko. He must be bi-polar at least, right?

Can you imagine what hemispheric relations might be like if an American President had the presence of mind to join in the laughter and invite Hugo to Washington for some tough minded honest debate? Do you really think the likes of Cuba's Fidel Castro and Brazil's Lula da Silva could spend hours in conversation with an idiot, if Chavez were just that idiot? There must be something more to the fellow than we are led to believe by our mainstream media.

One possible source of additional information, Oliver Stone's new documentary "South of the Border", isn't showing anywhere near me yet. The DVD won't be out until October. Funny, I had no problem getting to see Michael Moore's "Sicko" when it was released. Care to speculate on the difference?

In the meantime, assuming neither Oliver Stone nor Michael Moore are scheduled to read this blog today, I will ask anyone who knows them both to make the following suggestion.

Take one part "Inconvenient Truth' using the format of a TED-like lecture with giant graphs showing the numbers, perhaps with Paul Krugman playing the part of Al Gore; add a zest of man-in-the-street or women talking around a kitchen table interviews to illustrate the realities of life, somewhat the way residents of France did in "Sicko"; now add a double shot of Oliver Stone doing the kind of intimate interview with Paul Volker that he did with Fidel Castro in "Comandante'; juxtapose that segment with Fareed Zakaria facing a panel of three: Michael Moore, Oliver Stone and Jesse Ventura, not as the host, but as the guest for a change, with Fareed on the hot seat to answer questions concerning his own proud capitalistic economic assumptions; and finally, perhaps as a special feature on the eventual DVD release, have Noam Chomsky lay down a voice-over audio track analyzing and restoring the deep structure underpinnings of a good number of the ambiguous statements likely to merge from all the preceding.

Oh, what is the theme for all this you ask?

I suggest the title be 'Confounded Interest' and that the task be to show the role and impact of compound interest on human behaviour. Whether on credit card debt, national and international debt, mortgage debt, or the crowbar wielding friendly neighborhood loan shark.

Oliver, Michael, I dare you. Nobody could do it the way you two could. Jesse is there to protect you.

Don't worry about distribution.

I'll pitch it to Tony Burman for you.

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Wednesday, July 28, 2010

Jews, News and the Imperial Monologue: In Defense of Oliver Stone

Oliver Stone recently implied the proportion of Jews working in Euro-American news media sufficiently exceeds their incidence in the general population as to require professional journalistic disclosure.

Touchy subject.

Is there any professional context within which this question can properly be asked?

When Mel Gibson rants about Jews in Hollywood, we know what to expect.

When Oliver Stone draws distinctions among Hitler’s victims, albeit "clumsily" (his words), I’m tempted to beg leave from the Jewish community to ask for a more nuanced explanation.

His record of films about other biases in American media warrants more diligence on our part before we cast stones for blatant anti-Semitism.

In fact, Stone’s remarks come amidst increasing diligence among political pundits in the northern hemisphere to examine the concentration of influence and ownership in the media, both European and American.

Sixty-five years after the Holocaust, our awkwardness about this topic actually worsens the risk of anti-Semitism rather than guarding against it. To borrow from Ashis Nandy, the average consumer of Euro-American news media has a civic duty to question whether "the idiom of dissent is increasingly being defined at the centers of conformity".

Would any of us deny each other the right to ask similar questions concerning the Cuban trade embargo, the public Health Insurance option, or Banking reform?

Of course not.

Among professional journalists and academics outside North America, Stone might even derive increased credibility for admitting his empire's most influential news outlets are managed by a discernable minority: CBS by Tish. ABC by Iger. NBC by Zucker. Fox by Rupert Murdoch. US News by Mort Zuckerman. The New York Times by Sulzberger. The Los Angeles Times by Sam Zell. The Washington Post by the Katherine Meyer / Graham family. Facebook by Mark Zuckerberg.

Even the rest of us, the plebian unwashed, might be forgiven for wondering about the cumulative impact of personal preferences among Wolf Blitzer, Howard Kurtz, Larry King, Candy Crowley, Aaron Brown, Andrea Mitchell, Jessica Yellin, Mary Snow, Barbara Starr, Ben Wideman, Jim Bitterman, Alan Chernoff, Elizabeth Cohen, William Cohen, Robert Rubin, Madeleine Albright, Sandy Berger, James Rubin, Jeff Greenfield, Andrea Koppel, Gary Tuchman, Bob Franken, or Alan Derschowitz, when reporting on Arab-Israeli politics.

And that’s just CNN.

The equivalent observation was finally heralded in Hollywood years ago when A&E produced "Hollywoodism: An Empire of Their Own - Jews, Movies, and The American Dream" (1998), which chronicled the amazing success of the half-dozen Jewish families who created the movie industry and the studio system that spawned the moguls of Hollywood during its Golden Age.

In a previous Nunaview post, even I explored the general phenomenon of diasporic minorities such as the Chinese in Polynesia, Indians in Africa and Jews in Euro-America, and suggested they should justifiably boast about their accomplishments rather than disguising the celebrity and influence they have garnered.

But Oliver Stone’s remarks are different. Very different. So are Michael Moore’s. So are Noam Chomsky’s.

Each in his colourful non-conformist way suggests there is a journalistic ethic at play here that goes far, far beyond artistic license, or business acuity. It concerns a potentially egregious violation of journalism’s core claim to truth in transparency. It reaches to the very foundations of representative democracy, public dialogue, and electoral politics.

We send UN observers all over the world to determine whether corrupt dictatorships manipulate electoral results after the votes are cast. Stone, Moore and Chomsky are warning us that our opinions are being manipulated before the votes are cast.

Ordinary viewers will have noticed how frequently CNN anchors, most notably Wolf Blitzer, make a fuss about CNN being owned by Time Warner when reporting on a Time Warner related story. They are also downright rude at times in their manner of interrupting a guest to point out that guest's personal connection to stakeholders in the issue being discussed.

That notice is itself entirely proper, but the strident manner of its delivery is designed solely to profer CNN’s claim to neutral reporting. It is part of a self-serving campaign to dub themselves "The Most Trusted Name in News" and we are supposed to conclude that CNN discloses all background relationships that might constitute a risk of bias.

It is therefore CNN's very own insistence on this principle that opens them up to analysis and accountability for their own performance in this regard.

Every sophomore journalism student learns the rationale for this professional code of conduct. They are taught that the viewing public must be cautioned, explicitly, to raise their pre-suppositional antennae against even the appearance of bias. Not just gross prejudice, but for the more subtle, inadvertent and even innocent bias that reporters might miss in themselves, so ingrained is it in their personal history or basic human preferences.

Are allegations that CNN distorts staff biographies accurate? Did Wolf Blitzer really work for radically pro-Jewish and activist pro-Israel publications and lobbies for much of his career prior to joining CNN? If that allegation is accurate, then CNN is egregiously derelict in its duty to the American democracy when omitting those facts from their online backgrounders and biographies of Wolf Blitzer.

In the context of its coverage of stories that involve stakeholders in the Middle East, in Palestinian activism, or in reports of anti-Semitism in American society, Mr. Blitzer’s personal history is itself a factor that should be addressed with sufficient frequency and transparency as to discharge that journalistic stricture and obligation to the global audience. Oliver Stone has only had the nerve to suggest the same applies to the alleged disproportion of Jews and converts among CNN's editors, anchors, pundits, reporters and invited guests compared to their numbers in American society in general.

CNN claims not to be Fox. The standard, if they aspire to that level of trust, is higher.

If you have any doubt about the legitimacy of this tenet of professional journalism, I dare you to spend a week, just one single week, watching America's mass media as if you were Chinese, Venezuelan, Muslim, Cuban, Pakistani, Arab-Israeli, Palestinian, or just a truly independent American elector.

How ironic that so reserved a professional as US Defence Secretary Robert Gates regularly feels the need to refer to the "people in between" when speaking of those skilled at manufacturing conformity of opinion by way of deception.

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Thursday, June 10, 2010

Oliver Stone and Jesse Ventura

Beginning with his 2003 documentary on Fidel Castro, Oliver Stone went from being a film maker to becoming a journalistic legend.

There is no more poignant moment in the history of modern documentaries than when Castro asked him if he had ever experienced deadly combat. Stone's response and El Comandante's visceral reaction transformed a mere film into history in its own right, perhaps even literature. His follow-up study of Hugo Chavez will further the task of restoring American journalism to legitimacy.

Harold Bloom might have to canonize him as the first entry in the era of Web 3.0 and Jesse Ventura is ready to make him a mandatory part of high school curricula throughout the United States. Even more gratifying would be to see Howard Kurtz, CNN's self-congratulatory parody of mass media conscience, succumb to the same devastating comparison as destroyed Lou Dobbs when Fareed Zakaria hit the air waves. Kurtz's 'Reliable Sources' is Pablum and deception, if only by ommission.

The issue, of course, is what Ashis Nandy calls "a world where the idiom of dissent is increasingly being defined at the centers of conformity."

Our mass media.

As if to highlight the fact, nearly every major US network rushed to interview Maziar Bahari last week, taking great pains to celebrate the first aniversary of how social media like Twitter and Facebook allowed coverage of the riotous aftermath to the Iranian elections last year. None has reported the same syndrome at the heart of their own coverage of American health insurance, interest on international debt, the Helms-Burton sabotage of Cuba's basic livelihood , or the depletion of major aquifers. This isn't just ironic, it is blatant deliberate hypocrasy.

The whole charade will come to a full head a year from now when Oliver Stone releases his next major work, 'The Secret History of the United States'. The ten hour extravaganza will expose over a century of comprehensive manipulation of mainstream media, a betrayal of democracy and Western civilization that is all the more insidious for being deliberately disguised, self-imposed and perpetuated by the media empire itself.

It might further transform Oliver Stone, the mere film maker and literary critic, into the 21st Century's first prophetic historian. (sic)

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